這是我非常推薦的一本古典音樂故事書喔!

巴哈無伴奏大提琴組曲

Pachelbel's_Canon  卡農是個很好玩的遊戲喔!

這是原始樂器版本，一個接一個開始，越來越大聲，雖然大家都演奏一樣的旋律，整個聽起來卻覺得一直在變化。卡農的旋律簡單純樸，但具備精密完美的音樂結構，表現出對位法的嚴謹與平衡，其低音部只有八個音符不斷重複，從頭到尾總共重複了28次，真是超級頑固呢!

這個是趣味加炫技版

 

 

貝多芬單樂章三重奏，這是他很年輕時寫的作品，旋律很美呢!

Beethoven Trio in B flat major, WoO39 (Allegretto)

In sonata form, the single movement, marked Allegretto, opens without introduction. The main theme is in the piano, with sustained accompaniment in the strings. When the violin and cello finally get the theme, it is truncated and played in a clever, layered fashion that sets in motion the modulation to the dominant. The secondary theme is an elegant, arching tune fashioned chiefly from a single, three-note motive. This, too, is introduced by the piano then transformed by the violin and cello. Beethoven begins the development section with the theme on the dominant, but quickly moves to the distant harmony of D major and introduces a new motive. After some impressive scales for the left hand of the piano part the recapitulation begins, on the tonic, but with the theme transposed up an octave, soaring above a more active string accompaniment. The transition is just like that of the exposition, but transposed; it is one of the most predictable Beethoven had written in years. All the secondary material is resolved to the tonic before an impressively large coda begins with the main theme on E flat. Numerous scale passages and a lengthy trill emphasize basic keyboard skills as Beethoven continues to develop first theme fragments until the close.

 

舒伯特:樂興即時

Horowitz plays Schubert Moment Musical No. 3 in F minor

 【簡介＆分享】舒伯特《樂興之時》

    《樂興之時》（Moments musicaux）或稱『瞬間音樂』，是舒伯特創造的曲式，意指一種類似《即興曲》的鋼琴小品，是浪漫派個性小品的先驅。不過《樂興之時》的規模較《即興曲》更小、更輕快，即興的感覺更重，且在曲中不時可感受到恬淡瞬間的音樂形象。
      舒伯特這六首《樂興之時》在日本那邊，經常被當作廣告的配樂，其中最有名的第三首，又被稱作《俄羅斯歌調》。本曲裡的這六首曲子，是出版商 Maximilian Josef Leidesdorf後來把它們湊在一起的，因此它們並非同一時期創作的。其中第三首寫於1823年，第六首寫於1818年，其餘四首則是1827年寫 的。